As we continue highlighting African American musicians and composers during Black History Month, Sunday’s organ prelude will feature a piece by Betty Jackson King (1928-1994). A native of Chicago, King taught music in New Orleans and New Jersey and was a nationally known composer, lecturer and performing musician.
As we mark the start of Black History Month, our choral anthems on Sunday will be arrangements of a traditional African American spiritual.
Edward Elgar (1857-1934) will be a featured composer this Sunday. One of Elgar’s most famous works is his Enigma Variations, an orchestral composition consisting of fourteen variations on an original theme. “Nimrod,” the ninth and most famous variation from this set, will be played as the prelude at the 9:00 am and 11:00 am services, arranged for organ by Robert Gower.
Some of this Sunday’s music dates from the 16th century! The organ prelude at the 9:00 and 11:00 am services is by the Spanish composer Antonio de Cabezón (1510-1566). His piece Diferencias sobre ‘El canto llano del caballero’ is a set of keyboard variations (“diferencias”) on a Renaissance secular song. Like several other famous organists through the centuries, Cabezón was blind, but that didn’t stop him from rising to prominence as an organist and composer for the royal family of Spain, Charles and Isabella.
Each season of the church year, we change the musical settings, such as the Gloria/Song of Praise/Kyrie, Sanctus, Fraction Anthem, etc. These are the musical parts of the service that remain constant during an entire season, unlike the hymns, choir anthem and keyboard voluntaries that change from week to week.
We have some fabulous music planned for our Christmas Eve services. On December 24, at the 6:00 pm service, the Saints & Singers Choir will lead the festive music, including an anthem called A child is born. At 10:30 pm, join the St. Michael’s Singers in 30 minutes of familiar carols and anthems, followed by our festive 11:00 pm Eucharist.
I feel like we are frayed around the edges because of COVID. We are still knit together but have lost some cohesion over the past 18 months. Even our strongest pieces have thinned and struggled to hold everything and everyone together. It’s the nature of collective trauma, surely, to feel forever exhausted and on edge in unstable times.
Still, a golden thread has emerged in our beloved music program in the form of a return to in-person choir rehearsals. Even while we cannot sing to full capacity on Sunday mornings until restrictions are lifted, the St. Michael’s Singers has started gathering again in the open sanctuary on Wednesday nights to learn psalms and anthems together for both personal enrichment and communal worship.
If you missed the offertory solo from last Sunday, take a listen to the marvelous duet from St. Michael’s Singers soprano Beth Ilem and Choir Director Brian Fairbanks on flute as they present Craig Courtney’s “Be not afraid,” set to Isaiah 43:1-4.
One melodic composer you’ll hear on Sunday during the offertory is Fanny Mendelssohn Hensel (1805-1847). Fanny was the older sister of fellow composer Felix Mendelssohn. She is finally starting to get the recognition she deserves as a monumental composer of over 400 pieces, particularly for voice and piano, matching the genius of her more famous brother.
An evening of music with countertenors and multi-instrumentalists, James Walton and Tim Galloway, assisted by Adaiha MacAdam-Somer and Bruce Neswick.
Sunday Worship Schedule
7:30 – Spoken Traditional language (Rite 2 with no music)
9:00 – Traditional Service with Choir
11:00 – Inclusive Language with Choir
1:00 pm – Misa en Español
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